Evert Thielen
The broken glass (Het gebroken glas)
2003
prints
size 40 x 50 cm
The artwork edition of 17/200 (20 printed)
Hand signed with pencil. The artwork has an edition of 200. This is number 17, however there are only 20 printed. Printed with 8 colors, high quality digital 300 dpi. Technique: Piezo/cyclegraphy on handmade 400 grams paper. Piezography is a name for the printing technique, just like screen printing, lithography or offset. The print head sprays tiny drops of ink onto the paper in strips with high precision. It amounts to a high-quality version of inkjet printing
Evert Thielen
After university preparatory education (VWO), Evert Thielen (Venlo, 1954) spent two years at the Royal Academy of Art in The Hague. A number of solo exhibitions followed, in which he focused on making his first polyptich “De Schilderkunst” [The art of painting]. From 1980 to 1983 he participated in a study of the painting techniques and materials of Van Eyck’s “Lam Gods” [The Ghent Altarpiece – Adoration of the Mystic Lamb] at the Koninklijk Instituut van het Kunstpatrimonium [Royal Academy of Art Heritage] in Brussels. After spending some time in Munich, he painted the polyptich “De Schepping” [The Creation] (1987-1992). This work led to a commission from the Sara Lee/Douwe Egberts concern in Utrecht in the form of the polyptich “Unified” (1993-1996). In 1999 he moved to Bruges (Belgium), where he started work on the polyptich “Het Verlangen” [Longing], which was completed in 2005 and will be exhibited in public for the first time in Museum de Fundatie (Zwolle) in 2011. The fourth polyptich generated a commission for a fifth in 2006 entitled “Bellenhof” (2006-…).